After a long day at work, I stopped by the Broadway Oyster Bar before heading home. The Voodoo drummer, Kirk Gryce, is the Soulard Blues Band's drummer, and Kirk and SBB hold forth every Monday night at the BOB. I don't know if it is officially a jam session but they treat it as such, at least with folks they know. I wanted to show support for Kirk--Mondays are generally a tough slog after Sundays at Hammerstones--Kirk never mentions it, but you can tell he truly likes when his buddies show up.
A lot of familiar faces were there--Jimmy Stevens, a great alto player, and as well as the Voodoo's own Raul. The Soulard Blues Band's personnel has shifted over the years, but now is pretty regularly Kirk, Art Dwyer on bass and Tom Maloney on guitar, with another rotating player. I thought Matt Murdick (keyboard) was going to be there (that's what Kirk thought Sunday), but Matt apparently couldn't make it, so they called in trumpet player Brian "Big B" Casserly.
And boy what a treat. Brian used to be a mainstay of the SBB, but has developed his own career, principally with a group called Cornet Chop Suey, as well as the Big Bamou. He is a wonderful singer and an incredible trumpet player. He has got that style down pat. And they were inside (not on the roofed over patio), which meant it was a mellower sound. Brian plays a wonderful Selmer trumpet, with a big, buttery sound. He is the best blues trumpet player in town in my book. Jim's comment to me after a particularly memorable solo: "He doesn't suck." (If you haven't, go out and hear Brian some time.)
I was reluctant to sit in, but the fellas were having none of it. I'd never played with Brian, and he'd never heard me play before. At most we'd had a few quick conversations and I'd mentioned I was a trumpet player too--and he gave me that look ("Oh, isn't that niiice")--I don't say it with any mean-spirited-ness toward Brian (I've given that look many a time too, and I can spot it a mile away--hey I would've given me the same look!). It was nice, no blasting away, but some very fun ensemble playing. I felt good in that I played a couple of tunes then made it clear I'd had fun and was skedaddling off the stage and Brian said very gently but sincerely, "Where you going, man? Stay up here until you have to go." (Didn't hurt that it was a small crowd--felt like we were all just playing for our mutual pleasure.) Trumpet players don't often "play nice" with each other, but this was a true exception. I popped off some serviceable solos (and even some good ones) and was enjoying watching Brian work his magic (and learning--I was glued to those fingerings up close and I'll be copying some of those licks come Sunday). John Wolfe stopped in with his new E flat alto trombone and it was just a gas, especially when Raul also came up.
Fun playing with friends.
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Dad and I both are loving your new blogs! We remember how music grabbed a part of your 10 year old boyhood and became a permanent part of your growing up years. Later on there may have been a period of time when it slid to the back burner and making a living took over. But what a joy it was to us when the fire built up again on the music scene and we hope it is there to stay forever and a day!
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